Wednesday, March 17, 2010

Rob Makes People's "Hollywood's Cougar Bait!" List


ROB PATTINSON, 23
Like any list would be complete without Rpattz! Twi-hards love him, Twi-moms chase him ... And he's said he thinks Betty White is hot. Oh Rob, we'd party on the lanai with you any day.
people via pattinsonlife

New Interview with Kristen Stewart


Kristen Stewart  has millions of fans waiting for her return as Bella in "The Twilight Saga: Eclipse" on June 30.

Meanwhile, she's been busy in a string of smaller films including "The Runaways." Stewart co-stars as Joan Jett and Dakota Fanning gets the role of lead singer Cherie Currie in the real-life story of the all-girl band that made music history. Parade.com's Jeanne Wolf discovered why Stewart worked so hard to sing and play the guitar and why, after the third time around, it's not getting easier to play Bella. Filling the shoes of a rock icon: "I think my generation doesn't really know what The Runaways was. I didn't, even though I was aware of Joan Jett. She's a legend, so it was a big deal not only to meet her, but to have her on the set. The main thing that Joan talked about was just how much she cared about that period of her life because it jump-started her entire career. The Runaways was one of the first all-girl bands, so it's an incredibly triumphant, feminist story. Joan became my friend and I was thinking about all she stood for and going, 'Oh God, now I have to do her justice.'"
Kristen Stewart and Dakota Fanning Lock Lips Onscreen

Not doing a Milli Vanilli: "I was really concerned about getting the music right because The Runaways have a very distinctive sound. It's not just singing, it's trying to sound like them. I wasn't lip-synching. I worked hard to get like that growl that Joan does when she's performing. I'm not saying that I did it perfectly, but I gave it my best. And I learned to play the guitar because I didn't want to fake it."

How Well Do You Know the 'Twilight' Series? Take the Quiz!

Meeting Dakota Fanning again in the "Twilight" zone: "We really bonded on 'The Runaways.' I'm really looking forward to the three days that she's probably going to be filming 'Breaking Dawn.' It's weird to see her in the 'Twilight' setting because it's usually the same cast of people. But, suddenly, there was Dakota. The first time I saw her in her wardrobe as Jane, on 'Eclipse,' which was not too far after we finished 'The Runaways,' it was bizarre as all hell."
Her review of Robert Pattinson in "Remember Me": "I think he's bold and different. It wasn't an easy character to play. I thought he was really good in it."
Photos: Kristen Stewart and Robert Pattinson's 'Twilight' Romance

Those diehard "Twilight" fans: "I've never been so fanatical about something. I never had that thing that I'm obsessed with. But, I've followed things for years like bands and movies and actors. I completely get what they're feeling. Personally, it's just so cool for me to be able to go back and follow a character for so long in successive movies. The fact that fans love them helps give me the chance."

As for playing a string of disaffected teens: "It's hard to generalize about the characters that I've played because they all have their separate issues. I don't know what types of characters, especially if they're young girls, who wouldn't be considered disaffected. I think to play a completely mindless happy person would be mindless and happy, but boring. I don't know what the hell I'm doing. I'm just playing parts that speak to me. The only thing I would never do is a big explosion movie. I couldn't handle it. I would totally break down."

Playing Bella remains a challenge: "You have to live something when you film it. I know from the outside 'Twilight' looks a big commercial movie. But, it was more difficult to play Bella than a lot of other parts I've done. And, she's still developing because I'm not finished yet. It's more of an exploration of a person's journey."

Her escape after the first "Twilight": "I did my own road trip back from Portland where we were filming. I bought like a little truck and drove home to LA. It wasn't like the most transformative experience, but it was fun. It gave me a sense of freedom and going away from something that was a rather intense experience."

Still not ready to be directed by her mom: "She's a really well-known script supervisor and she's co-written this drama 'K-11,' which she'll direct and I would be in. If she called me right now and said, 'We're making the movie,' I would be really excited. I guess my question is, 'How would it be to work with a parent?' We're really close and then, at the same time, we're creatively very different. But, I think it would be cool if it happens."

source

New Deleted Scene of New Moon













 

'Eclipse' Trailer: Engagement Ring Confirmed And More EXCLUSIVE Costume Details!


THANKS TO robertpattinsonhislife

The same costume designer who clothed the "New Moon" cast, Tish Monaghan, returned to duty for the third movie in the saga, "Eclipse." Lucky for us — that meant she was just a phone call away. Yes, it's true after the first trailer for "Eclipse" hit the Internet, we were plagued by many probing questions related to the fashions of the main characters. Besides, uh, those wigs (which we got Kristen Stewart herself to talk about), there is one other thing that many of you are dying to know: is that an engagement ring on Bella's finger in the pics from the meadow?
Don't worry we got to the bottom of this "rocky" mystery and, in the process, found out a bunch of other fun facts from Tish about the wardrobe that you've seen so far in the trailer. So step back inside the "Twilight" closet...

IS THAT AN ENGAGEMENT RING?
YES! "This is an engagement ring on Bella's finger!" Tish confirmed. "This is something that was made for her by the props department." In other words: she doesn't have a whole lotta info to share on it. So, until we are able to investigate further, we should point out that the ring (at least what we can see of it from our extreme zoom-in) looks like he could be quite similar to the domed oval one authorized by author Stephenie Meyer after the "Eclipse" book came out, which is for sale by Infinite Jewelry Co. Check out a 2009 article from the Salt Lake Tribune for more information on the story behind that ring.

If you're wondering what Kristen and Robert Pattinson are wearing in the above pic, Tish says Kristen is in a cashmere sweater from J Crew and J Brand Jeans. Rob is "probably wearing" a Banana Republic shirt.

IS IT JUST US OR IS EDWARD WAY MORE CASUALLY DRESSED THAN HE WAS IN "NEW MOON"?
"Rob only wore the suit in the last film because of a continuity theme," the costume designer explained. "He wore it for Bella's party, and then he never changed. In 'Eclipse,' he is back at school, and dressing generally, more casual and more relaxed."
As seen above from the gray tee shirt (most like from Banana Republic or GAP), the major color palate for Edward and his family, however, has not been changed: "The whole 'cool' color theme is being continued with 'Eclipse' for the Cullen Clan."

HOW ABOUT JACOB? DO HIS SHIRTS FINALLY FIT HIM CORRECTLY?
Back when we interviewed Tish about the threads from "New Moon," she said there was a distinct reason Taylor Lauther always looked to be almost busting out of his shirts with his biceps — “We tailored his t-shirts so they showed off his muscles,” she said at the time.
So now that Jacob "understands his body," his tops (above he's in a GAP shirt and Levi jeans) must be a size up right? Nope! Because "only two weeks has passed in time between 'New Moon' and 'Eclipse'" — when Bella went to Italy it was the middle of May, now it's June — "He wore the same tee shirts," Tish said.
In the photo above, Kristen is wearing Adriano Goldschmied jeans and what Tish believes to be a Billabong hoodie.

HOLY TANK TOP! IS THAT REALLY BELLA SHOWING SOME SKIN?
When Bella ventures to Florida to visit her mom, Renee (Sarah Clarke) and her boyfriend, it was important for the costume designer to be able to designate warm weather. "We really wanted to show that it was a different climate, so that was the reason [we put Kristen is a tank top]," Tish reported. "Script called for bathing suits, but we opted for more of a coverup, for both her and her on screen mom."

Tuesday, March 16, 2010

New Moon Behind the Scenes Vol.2

New Moon Behind the Scenes

 THANKS TO Pattinson-Ladies



In the eyes of the Academy Awards, "The Hurt Locker" was the Best Picture of 2009. But a loyal army of Twilighters feel differently — and this week, they're making their opinions known at one of Hollywood's most visible annual conventions.

"The Twilight Saga: New Moon" has been selected for the ShoWest/Fandango Fan Choice Award, which will be presented Thursday at ShoWest's Final Night Banquet and Award Ceremony at Bally's and Paris Las Vegas. The Fan Choice Award was voted on by nearly 50,000 moviegoers, who were asked on Fandango to select their favorite film of 2009.


ShoWest, the largest annual convention for the motion-picture industry, is currently under way in Las Vegas. This year's installment will once again end with the celebrated Banquet and Award Ceremony, where awards will also be presented to Vanessa Hudgens, Zach Galifianakis, Amanda Seyfried, Sam Worthington and Jerry Bruckheimer. Rumor has it that a producer from the "Twilight" series will accept the award, and a special video message from one of the franchise's top stars will be played for those in attendance.

"You might have guessed that 'Avatar' would have won the Fan Choice Award, since 'Avatar' was the top ticket-seller in our company's history," explained Fandango Chief Marketing Officer Ted Hong. "But never bet against the passion, loyalty and dedication of the vociferous 'Twilight' fans."

The sequel to "Twilight" garnered nearly 66 percent of the vote — although "Hurt Locker" shouldn't feel too bad, as the same studio (Summit Entertainment) showed off its diversity in 2009 by releasing both films.

"Moviegoers on Fandango have been behind the franchise from the very beginning, and that's why the first 'Twilight' movie won the Fan Choice Award last year," Hong added. "The big question will be whether or not 'Eclipse' will be in the running for next year's award, and if the franchise can pull off a three-peat."

"We are thrilled to once again have the opportunity to partner with Fandango to present the ShoWest/Fandango Fan Choice Award at this year's ShoWest Final Night Banquet and Award Ceremony," ShoWest managing director Robert Sunshine said in a statement. "It is no surprise that the fans have chosen the box-office hit 'The Twilight Saga: New Moon' as this year's recipient, and we are excited to present the film with this award."
 
 

Kristen Stewart was spotted in LAX airport carring Robert's Shirt!

Twilighters-Greece

HERE YOU SEE HER....

 AND HERE YOU SEE HIM...

 AND HERE YOU SEE THEM BOTH...



Ah!The love...Is all about sharing!

Johnny, Matt, Leo, or RPattz: Who's your man?

SOURCE


green-zone-remember-meImage Credit: (left) Jonathan Olley; Myles AronowitzFor the record, I swear I will never again write the word “RPattz.” Blame it on the dizzying effects of the storm that turned the East Coast upside down on Saturday, ripping giant trees out by their roots. But you know what I mean: Depp, Damon, DiCaprio, and Pattinson all wanted you to choose them this past weekend, offering a quartet of movies that, taken together, might be read as the resting pulse of serious, mainstream American cinema. Which is why I’ve always had a particular fondness for springtime wide releases: They’re so content to be what they are. There’s no pretense, no great expectations. Spring movies don’t rattle their chains and bellow like summer joy-ride blockbusters; they don’t hustle for prestige (with the best of manners, of course) like autumnal Oscar bait. What you see is what you get.
And by that measure, Alice in Wonderland, Green Zone, Shutter Island, and Remember Me comprise a pretty classy assortment pack. (For the mainstream comedy alternative, add She’s Out Of My League.) Here’s Tim Burton’s family fairytale made by one of the medium’s most inventive visual stylists, starring one of the medium’s most interesting chameleons; Paul Greengrass’ distinctive action pic, incorporating essential information about current events; Martin Scorsese’s lavish construction of a big old spooky junky thriller; and dewy romantic mush that ends with the kind of howling tonal misstep that makes bad movies interesting.
When you look it at it that way: Cool! (And no one is angling for an award!)
So who was your man this weekend?

New Moon DvD sneak Peak

source








Monday, March 15, 2010

New Picture of Robert Pattinson from the set of Bel Ami

source:http://networkedblogs.com/1ewi5


'Twilight' cast dominates 'Top Box-Office Teens' list

It's hardly surprising, to anyone, that the cast of actors and actresses in the Twilight series have become influential members of film society.
According to Forbes, that influence may be a little mightier than we previously suspected.
Along with the cast of Harry Potter, Twilight's group made one of the biggest showings on the list of 'Top Box-Office Teens', with Dakota Fanning, Kristen Stewart, and Taylor Lautner all ranking highly upon it.
About Dakota Fanning, Forbes says that her "films have earned a whopping $2 billion at the box office."
At number four on the list is Fanning's The Runaways and The Twilight Saga: Eclipse co-star Kristen Stewart, whose films, Forbes estimates, have brought in "a total $1.5 billion at the box office." "Although Stewart, 19, is now best known for the role of Bella in Twilight, she's actually been acting since 2002 when she co-starred with Jodie Foster in the thriller Panic Room. The film earned $200 million at the box office."
Taylor Lautner made the list as well. "The 18-year-old ranks fourth with $900 million in box-office earnings. Much of that comes from New Moon, but Lautner also co-starred in the recent romantic hit Valentine's Day, which has earned $125 million at the box office so far. Lautner is now the hottest thing in Hollywood."

Video New Moon DVD-via @Gossip_dance

 THANKS TO Twilighters-Greece



Edward with Red eyes?-via @Twifans

according to twifans.com:I think i'm probably going mad, but does this look like he has red eyes? it seems improbable, judging by his clothes, but i'm not 100% sure? prehaps a look into the volturi's mind?

Robert Pattinson Speaks About Remember Me, Twilight and Being an Idol

With his tou­sled, seem­ingly unwashed locks and rum­pled, just-rolled-out-of-bed under­shirt and jeans, Robert Pat­tin­son seems laid-back and carefree.
But the 23-year-old heart­throb, who attracts throngs of scream­ing fans wher­ever he goes, has a lot on his mind these days – not the least of which is what will hap­pen when the “Robsession” ends.
“If it sud­denly dies down and sud­denly no one is inter­ested … yeah, it is wor­ry­ing,” he says.
“It’s scary to think that it all might just fun­da­men­tally stop after the ‘Twi­light’ thing’s finished.”
That “Twi­light thing” is the more than $1?billion movie fran­chise based on Stephe­nie Meyer’s best-selling series.
Pat­tin­son stars as Edward Cullen, the veg­e­tar­ian vam­pire who falls in love with human Bella Swan.
Despite the suc­cess of the first two films, “Twi­light” and “New Moon,” he hopes to break away from that emo, teenage undead role with his new film, “Remember Me.”
Pat­tin­son and Emi­lie de Ravin star as twenty-somethings falling in love while cop­ing with family tragedy.
Q: Did you feel a lot of pres­sure choos­ing “Remem­ber Me,” since it’s the first time we’re see­ing you post-“Twilight”?
A: I just always liked the script. When I was mak­ing it, I didn’t even think about it. Now that it’s being released, it comes into con­text with all of that.
Q: Do you regret tak­ing on “Twilight”?
A: You can never tell. When I did “Twi­light,” I had no idea it was going to be so big. I didn’t know they were going to make the sequels after­ward. … But I don’t really have any regrets about it. It’s just, you can’t. There’s noth­ing you can do about it.
Q: How do you feel about being an idol?
A: I don’t really know if I am. It’s still just the sort of char­ac­ter that peo­ple like a lot. I try and avoid pro­mot­ing myself like that ’cause oth­er­wise you end up with a huge bur­den of responsibility.

Kristen mentions Rob in Interview With Italian Newspape


 THANKS TO robpattinson


I: Com’è stato, rispetto ai baci con Pattinson? (Asking her the difference of kissing Dakota and Rob)
K: "What can I say? Rob has a bigger mouth?"

I:"Last question: Do you want to clear up your relationship with Robert Pattinson?"
K: "No, I don't. I just can say that with Twilight we all have become really close and what people say about us ends up debasing our relationships"

I: "So are you telling me you are just good friends?"
R: "No, that's not what I said"


Original article / Translation

Sunday, March 14, 2010

Interview: 'New Moon' Director Chris Weitz

 THANKS TO .fearnet.com

 

 

Thu., Mar. 11, 2010 3:11 PM PST , by Todd Gilchrist
Chris Weitz
The prospect of putting any effects-heavy movie together is a momentous task, but especially so when you’re dealing with a sequel to Twilight New Moon, the 2009 follow-up to Catherine Hardwicke’s adaptation of the Stephenie Meyer novel of the same name, required more of everything – characters, actors, story, and especially effects. FEARnet recently caught up with New Moon director Chris Weitz to discuss the film’s forthcoming DVD and Blu-ray; in addition to delving into all of those technical challenges, Weitz revealed a few new tidbits about the film and if given the opportunity, his thoughts about directing the series’ fourth installment, Breaking Dawn.
FEARnet: Listening to the commentary during the scene where Edward makes his speech about Romero & Juliet in school, you said that you should probably shut up and just let Robert Pattinson talk. But what was your actual approach when you came in to produce the bonus materials on this DVD and Blu-ray, given the fact that although you were joking that might partially be true?
Chris Weitz: Well, it’s funny because it’s very difficult to talk about cutting any scene with Edward or Taylor because I know that the fans can’t imagine why you wouldn’t have a three-hour version of the movie. So I have to be very diplomatic and careful as to how I explain how a certain scene was cut a certain way in order for the flow of the story. To a lot of Twilight fans, less is never more. So it’s funny that when [editor] Peter Lambert I’m doing the commentary, it’s like a couple of old guys interrupting the viewing of the movie. But of course, they have the option of just turning us off, so I’d like to think that for the very few people who actually want to hear anything that I have to say about the movie, we’re there for them.
In terms of being a cog in the larger wheel of Twilight, what effort did you make or want to make to build ideas or developments into this installment that might be paid off in subsequent ones?
Well, I think I had a certain degree of responsibility to cast as well as possible because I knew that David Slade was going to inherit my choices. But of course, I would never cast any other way; you have to cast the best actress for the role that you can get. It is curious to know that you are choosing actors that will have relevance in future episodes without the ability of the next director to have a say in it. But then again, if you’re casting Michael Sheen or Dakota Fanning, you kind of feel like you’re doing anybody a service. I think in the same way I was pretty happy to inherit a really great cast and one that worked from Catherine Hardwicke. In terms of the plot mechanics, to be honest, Bella kind of ends up where she began, so you really return her to a state of – well, actually that’s not true. We established a love triangle that will play out and as long as nobody has done anything irrevocable, and that’s pretty much the case, then we’re in good shape. If we end up with the set of circumstances that the book ends sets up, then we’re doing okay.
How easy was it to coordinate the visual aspects of the film, not only the look and design of new characters like the Volturi but coordinating and shooting sequences like the passage of time after Edward breaks up with Bella?
Well, I think that the passage of time was an open opportunity for us to take something that was a literary device that works rather nicely in the book and turn it into a kind of elegant visual effects shot that doesn’t necessarily seem like a very CGI-intensive shot, but it in fact was very labor-intensive and was done over the course of half of a year. The elements that go into it, it has to be shot in numerous passes in order to get the various seasons outside the window and all of that kind of thing, and I always knew this would be a really interesting way to use a motion-control camera to show the passage of time. So that I saw as an opportunity to expand upon what was in the book. In terms of the Volturi location, I don’t think it was described in terrible detail in the book nor very much in the script, but we just knew that we wanted it to be very grand and I decided that I wanted to go away from every single vampire cliché possible.
So I said it wasn’t going to be dark, it wasn’t going to be gloomy; it wasn’t going to have a bluish tinge to the whole thing. It wasn’t going to be ostensibly creepy. So we were able to build an actual set in which we could shoot 360 degrees, which actually sort of had a renaissance clarity to it and in that way it was unexpected. I mean, I always wanted the appearance of the Volturi, of course, to be not quite what you thought it was going to be, and that’s just another chance that you have. And it involved keeping Stephenie Meyer updated as to what our ideas were because I didn’t want to do something in complete violation of how she would have conceived of things. And at the same time, I think she was happy to go along with things as long as we had a take that was going to look elegant for us.
You said on the Blu-ray that she was a great collaborator. But were there things from the source material that you knew would have to be tweaked in their transition to the screen?
There were a few. I mean, there wasn’t a fight per se in the ending of the Volturi sequence, so it was a cinematic device of sorts, and I think that Stephenie understood why there would be this kind of moment of action and why we would sort of amp up the moments of tension near death, because obviously in the book you can play all of these things out in terms of the interior tension of the character and her sense of things about to go terribly wrong, but we played them out a bit more. And then I think it’s about maintaining a very fine line between doing things and suddenly becoming The Matrix, which we didn’t want to do, but still having a satisfying fight element to it that was – and it wasn’t even directed towards boys, really. It was to lend a bit more kind of muscular tension to the whole thing.
Is there anything on the Blu-ray that you think will highlight an element of the film or the story that even diehard fans might not have noticed in theaters?
Yeah. It’s interesting that when you get a DVD of a movie that you care about, you can actually watch it frame by frame and dissect the kind of work that went into things, so there are hundreds of little decisions that one makes a day which pass by in a theatrical viewing in the cinema in an unconscious manner, but that if you look at them carefully, by looking at them carefully, you can kind of dissect and analyze the intentions, without being too film-schooly about it – the intentions and rationalizations why things are shot a certain way. And sometimes, to be honest, it’s just because you didn’t have enough time that day and that’s why there wasn’t this other close-up, but sometimes the length of a lens or the height of the camera angle or the way that the camera moves actually meant something to us on the day and that we wanted the whole thing to add up to an experience even though, okay, this is a franchise, the second movie in the franchise. We still as a crew and cast members thought about every single moment. There wasn’t really a moment that didn’t have a lot of homework put into it, so in that regard I’m glad people who liked the movie might get more of a chance to absorb details in it.
Obviously there have been all kinds of discussions about what will happen with Breaking Dawn. Given your relationship with Summit, is directing that film or films, plural, something you would be interested in doing, or have you sort of said all you want to in and about the series with New Moon?
Well, I never say never, but I think that it’s probably best if each of the films is directed by a different director, and that I may have exhausted my ability to direct CGI films. But I have to say that with the caveat that none of this comes from the point of view of like, “one movie for me, one movie for them.” I never felt that way about it, and that part of the joy of doing New Moon was having a really good experience with Summit and having a really good experience with Stephenie Meyer, and getting to know some young actors whose work I really appreciate. So there are a number of factors rotating in favor of me working with them again, but at the same time, it’s hard to express that these super, logistically-complicated movies really take it out of you, especially if you have a young family. And I think that that’s kind of the tiebreaker there.

Kristen’s ‘Welcome to the Rileys’ picked up for distribution

RileysStill4Tt
Deadline is reporting that Kristen Stewart’s film Welcome to the Rileys has been picked up for domestic distribution by Sony, hoping for a fall release in the US.  Here are the details.
It’s been weeks and weeks since the Sundance Film Festival. But Bob Berney’s Apparition has teamed with the Sony Worldwide Acquisitions Group to acquire domestic distribution rights to Welcome to the Rileys, the Jake Scott-directed Ken Hixon-written drama that stars James Gandolfini, Kristen Stewart, and Melissa Leo. Apparition is eyeing a fall distribution slot. I’m told the deal was 7 figures with a P&A commitment.
The Scott Free/Argonaut-produced film made its premiere at the Sundance Film Festival in January and created strong buzz, particularly among fans of Twilight star Stewart. Some of them sent email missives to distribution executives, urging them to make a deal and get the film into theaters. The UTA Independent Film Group repped the film.
Gandolfini and Leo play a couple whose marriage becomes a wreck following the death of their teenage daughter. On a business trip to New Orleans, the husband finds himself drawn to an underage prostitute, insinuating himself as her platonic guardian. Jake Scott made his feature directing debut, and Ridley and Tony Scott, Scott Free president Michael Costigan and Steve Zaillian on its producing roster.
It was the second significant deal for a Sundance film made by UTA Independent after the festival ended. The first was a Sony Pictures Classics acquisition of U.S. and Latin American rights to Animal Kingdom, the David Michod-directed film that won the fest’s World Cinema Jury Prize.
UTA Independent also brokered a distribution deal for the Ryan Reynolds film Buried, with Lionsgate closing the deal hours after the film’s midnight premiere.


THANKS TO team-twilight.com
Robert Pattinson-Kristen Stewart // Robert Pattinson-Kristen 
Stewart (Copyright  c  Myself.gr 2009)
Robert Pattinson-Kristen Stewart
Robert Pattinson-Kristen Stewart (Twilight) H παθιασμένη σχέση τους στη μεγάλη οθόνη, ως Edward Cullen και Bella Swan στο «Twilight Saga» γέννησε την επιθυμία στους θαυμαστές τους να τους δουν μαζί και στη ζωή. Ο 24χρονος Robert Pattinson, πάντως και η 20χρονη Kristen Stewart ήταν σχεδόν παιδιά όταν γνωρίστηκαν στα γυρίσματα του «Λυκόφωτος» πριν τρία χρόνια. Τον τελευταίο χρόνο, οι φήμες τους ήθελαν μαζί, κι εκείνοι διαρκώς τις διέψευδαν. Τελικά, ο Robert επιβεβαίωσε τη σχέση τους στα BAFTA Awards και έδωσε στους φαν τους την ικανοποίηση που επιζητούσαν! PHOTO PARRIS PRESS